It's been a crazy little while focusing on writing books, but I've been able to have some time to weave. Currently, focusing on producing lengths of material, primarily for scarves. Over the past year, I purchased a bunch of cones of yarn, and while I used most of them, I have some half-filled cones of yarn. To that end, I've been working through the yarn to see what I can create. It's proved interesting seeing how I can use the yarn. Unfortunately, it seems when I finish the warp, I need more yarn for the weft. Such is the problem with weaving. Also, I'm working on creating cotton warp with chenille weft projects. It'll be interesting to see if I can use the cotton/chenille material for clothes. On a side note, the book I'm currently working on has a main character who is a weaver. Some of the items I'll be focusing on over the next few months is creating items connected to the book.
I will be the first to admit I tend to the cool spectrum. My favorite colors are, and probably will always remain, black, purple and silver. According to color theory, that combination makes me creative, mysterious and elegant. Not certain about mysterious and elegant, but creative, definitely. What I don't choose on a regular basis are warm colors. I can't wear them well, so I tend to avoid them at all possible costs. Warm colors are wonderful for kitchens and dining rooms. They're great accent colors, but I tend to use them rarely even when weaving. Unfortunately as a designer of woven wearable art, I can't limited myself to my color choices. I need to create clothes that work well on other skin types and attract other people. Summer Color Scheme Choosing colors such as the ones above can prove frustrating to me. I wouldn't normally choose the colors, but advice was given to me last week that I will take to heart: visit stores in the mall. I'm not o...
Last week, I showed you a dress from material I wove. This week, I'm going to focus on patterns versus no patterns. No Pattern To the right is a photograph of my sister modeling a dress I made from handwoven fabric. In this case, the dress was used with no pattern (i.e. I designed as I went). It is created using five panels, three of which are eight inches shorter than the other two. The longer panels form the front of the dress, and include the casing for the halter strap; the shorter pieces form the back and sides. Benefits For using handwoven fabric, it's fairly easy to say one major benefit is being able to simply design. Knowing how much fabric I had, I could divide the fabric into the panels, adding and subtracting as I went. This works out well when I have fabric, but not exactly certain what I want to do with it. Problems For this particular style of design, having a dressmaker's dummy is almost a necessity. It helped me by giving me a model that didn...
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